Thursday, June 30, 2011
"Oak Dynamics" --- Sold
Tuesday, June 28, 2011
"Cherry Dance" --- Sold
Monday, June 27, 2011
Sunday, June 26, 2011
"Peach Season" --- Sold
Saturday, June 25, 2011
"Riding the Wave" --- Sold
Friday, June 24, 2011
"Demo at Gemini"
I did a demo last night at the Gemini School of Visual Arts and Communication. This is a four year art academy in Cedar Park, TX providing professional training for commercial art in illustration, advertising, and game industry. Different from most of my demos and workshops, the audiences are predominately young students, male more than female. Also different from most the art departments in universities, Gemini teaches fundamental realism skills. it offers cast drawing, perspectives, and human anatomy. combining with computer graphics skills, the students here are capable to create spectacular concept arts. Most of the graduates are working for movie industry like Disney, and other video game industries. I am certain that the young artists coming out of this place will not be starving artists.
I only have about a hour to demo. This is what I got.
Wednesday, June 22, 2011
"Touching" --- Sold
Monday, June 20, 2011
"Can We Play Together?" --- Sold
Saturday, June 18, 2011
"Place to Hide" --- Sold
Friday, June 17, 2011
Farewell, My Full Time Job
I have reached another important milestone for my short life in this small planet. Today is my last day as a full time engineer. I am so thrilled to start my full time artist career tomorrow. This photo is the first one you see me in a lab of a high tech company, and it maybe the last one.
As a matter of fact, we coming to this world is not for accomplishing anything, but rather to witness and experience what is happening around us. Thirteen years ago, I joined this startup company as the first employee, and worked here ever since. During these many years, I have experienced a lot. I have been excited, indulged, hallucinated, struggled, exhausted, achieved, confused, hoped, prayed, rewarded, stressed, and expected. I feel so grateful to this place. I love all the people here. They taught me so many things. The corporation is a grand stage. Performances have been going on and on. I have enjoyed so much colorful characters, dramatic scenes, dazzling costumes, symbolic makeups, and eloquent garboligocs (spelling?). I feel I am in a gigantic hologram. Every thing looks so real, but actually nothing has ever existed.
In this material oriented world, we chase wealth day and night. In business, we always say “Time is Money”. However soon or later, we all will realize in our bones that “Time is better than Money”. I will enjoy my time fully, and I hope you do too.
Tuesday, June 14, 2011
"Carnation and Rose Leaves" --- Sold
Saturday, June 11, 2011
"Gray Sophistication" --- Sold
Friday, June 10, 2011
"Quiet Bloom" --- Sold
Continuing on color mixing I brought up yesterday, the key factor is the purity of the color. If we have very pure blue and very pure yellow, then we will get black. However, none of colors we have are very pure. All blues and yellows we get have green in it. When they are mixed together, the blue and yellow cancel out and green light gets reflected. So we see green. The term “purity” here is vague. To be more precise I should use “spectral bandwidth”. The nearer the bandwidth is, the purer the color is. In my optics lab, I have something called “interference filters”. The blue filter allows narrow band blue light goes through, and yellow one transmits narrow band yellow. When I stack a blue filter on top of a yellow filter, I see no light goes through, or I can say I see black.
I don’t want to be too left-brain-ish. Let’s talk about painting. The painting I post today emphasizes on the subtlety of the grays. I used to get my grays by testing randomly. After I did my color wheel study, I have gained more sensitivity on grays, and I can obtain my grays more systematically. I like David Leffel’s paintings. He is the expert of grays.
Thursday, June 9, 2011
“Blue and Yellow Don't Make Green"
Recently, I read a book entitled "Blue and Yellow Don't Make Green" by Michael Wilcox. It is fascinating. I agree with the author. The logic is rather simple. We know a yellow pigment reflects yellow light only and absorbs light of all other colors, and a blue pigment reflects blue light and absorbs the rest. If we mix yellow and blue paints together, the yellow light reflected by the yellow pigments gets absorbed by the blue pigments and vice versa. In consequence, the mixture will reflect no light, and we should see black. With the same reasoning, we can conclude that red and blue don't make purple, yellow and red don't make orange. They all make black only. The whole concepts of primary and secondary colors have been thrown out of the window. Isn't that bizarre? But, you know what, he is right. I can demonstrate this effect in front of you if I see you.
However in our experiences, we all know that blue and yellow do make green. I will talk to you more next time. After reading that book, I spent some time with my own color structure. I made this color wheel last night. The colors was arranged carefully such that the complementaries really make grays. I want to make sure this wheel does provide practical guidance, but not just an illustration of theories.