Continuing on value design and fold study. I hardly use any white for painting the table cloth. The illumination of the setup was very warm, so the brightest area on the cloth was pure "naples yellow light" (Winsor & Newton). My goal of this study is to see how dark I can go but still keeping the cloth appearing "white"looking.
8 comments:
Very decisive brushwork, Qiang. Love the stroke of the core shadow running across the face of the vase. Very nice.
This is certainly a good result with the folds and the pot is so well painted. Good title, too.
I love the light hitting the top handles. Very exciting. Hang in there Qiang...2012 is a new beginning. You have had a very challenging year. Don't forget to count your successes!
Beautiful painting and composition!
Beautifully done. Love the warm red and draped cloth. I love your explanation also.
Very rich and juicy! Well done.
Very beautiful, sir. The drapery looks white in the dark so naturally. Wow this is amazing. I thought you would use many white in it. Please forgive my foolishness. (I always wonder why when I choose the yellow color at the same position of the other colors in the digital drawing color palette, it turns more lighter value than the other colors when I change it to black and white. )
(I mean I thought you used many white in the drawing to look like this. Please forgive me. I'm not good at English. I hope you understand what I wrote. ^^; )
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