Plein Air at Radnor train station. Painting a believable light and shadow relationship is the topic I am working on. Paint light-n-shadow is not a simply value variation. It is also inadequate if we only notice the temperature difference between light and shadow. The chroma relationship of light-n-shadow is also very important. I have learned recently: light and shadow should have the same color saturation, but varying chroma. Please be noted: color saturation and chroma are two totally different concept in color science. I have not fully figure out the light-n-shadow relationship yet, but I know if we get the light-n-shadow color right, the object under the light looks very solid. To achieve color solidity is the goal I am pursuing currently.
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