I have not posted painting images on my blog and FB for a while. I am sorry. This is a small painting I did yesterday.
I want to share the beauty of the world with you
I have not posted painting images on my blog and FB for a while. I am sorry. This is a small painting I did yesterday.
I would like to announce a new workshop I will teach soon: "Painterly Figurative". You probably have noticed that the workshops I have been teaching for more than a decade were either still life or landscape. Now I am ready to share my figurative techniques. I will use this One-Day Zoom class to introduce how I handle human forms to achieve sensitive and accurate drawings, and then how to use expressive brush work to obtain a loose but convincing presentation of figures on canvas. If you are interested in my painting techniques, please check: http://www.qh-art.com/zoom-workshop-figurative.html to sign up. I will show you my approaches, which are tangible and working.
I have resumed my in-person workshop teaching. So far I have taught two. I am expecting a third one, which will be at Vinci, Italy. I am so looking forward to visiting and teaching at this special place of Tuscany. Vinci is the home town of Leonardo da Vinci. I feel so honored to be close to the Master. If you happen to have time, love art and Italy. The workshop/retreat will be a great opportunity for you. Please check the webpage: https://www.artescapeitaly.com/qianghuang for detailed information and registration. We still have a few openings. I am looking forward to meeting you, and sharing my painting approaches with you.
A quantitative color temperature scale has been developed and implemented on the updated “Painter’s Guide” app. This app is free for everybody to use. Just go to my website and click the “Apps” tab, then select “painter’s guide”. I know the color temperature is a relative concept. However, I think it will be helpful if we have an absolute quantitative scale, so we can manage the subtle temperature change more precisely. If you are you interested in the scientific base of this development, please contact me.
I have taken many photos during our recent RV trip. This is my first studio painting based on one of the photos. The purpose of this painting is to re-present the color scheme that the Nature demonstrated in front of my camera. I don't think I can create, but I can simply document what has happened.
I have just finished a one-month long RV camping trip in Texas, New Mexico, and Utah. Now I am ready for work. I would like to announce that I will teach a 4 - day painting workshop at Huntsville Fine Art Museum. We still have a couple of openings. If you are interested in learning how I push paints around. Please visit Qiang's Huntsville Workshop for more info, and signing up. I am looking forward to painting together with you.
Can you believe I never painted snow before. That is true. Well, not any more. I painted this one after I returned from my plein air camping trip. This was our neighborhood during the deep freeze in February. I did this for a color study. I need to finish the 4th session of my online color teaching: "Color in the real world". To my surprise, snowscape is one of the simplest color situations in representational painting. The reason is very simple. Snow does not have much of local color because it is white. It may not have too much influence of environmental color either because its size. Therefore, the dominant color contribution is the light source colors. In a sunny day like this one, the dual light source situation is obvious. For sure you have warmer light and cooler shadow. You know why. So if you want to understand color temperature, paint snow first before you paint other landscapes. It took me quite a few years to figure this out. Duh....
I went camping again. The location was San Angelo State Park. The cactus were blooming. It is not surprising seeing cactus of course, I have been living in Texas for more than twenty years. However, it is my first time seeing so many of them, and they are blooming so beautifully. I don't think this plein air painting capture that beauty, but I have tried.
I will teach a Zoom workshop about still life painting in June. This workshop will have 2 group meetings, I will share my approaches via presentations and demo. In addition, there will be 1 individual critique for each registered student. I will work with you specifically to address your issues and provide helping tips for your improvement. If you are interested in taking this workshop, please visit: http://www.qh-art.com/zoom-workshop-in-june-2021.html for detailed information and sign up. I am looking forward to meeting you in mid June.
This is my very first sunset painting. Be honest with you, it was one of the easiest paintings I have ever done. Thursday afternoon was perfect, I decided to catch the last piece of beautiful light en plein air. I arrived at the spot quite early because I know the sunset is very quick I should better be prepared. I did my drawing and value rather quickly, but hold on the color block-in, because the colors will change when the showtime comes. Then I waited, waited, waited a little long .... zzzzz. I got up, walked around, and took many beautiful photos. Then come back the my painting spot, but the sun was still pretty high. Now I have a confession to make: I took out of my phone, find a sunset photo I took from my previous camping trip, and wollah!! Here comes the painting.
How do you manage your colors to show something looks solid? How do you use color relativity to reveal subtle changes of the local color variation? How do you handle grays to achieve rich and sophisticated color designs? To answer these questions, I did this study.
The image showing here is a demo painting I did for my 2nd Zoom Workshop I am still conducting. Now I have gone through the necessary learning curve of using the internet tool to teach. For my regular Zoom workshops I have to limit the number of students. However, now I am trying this new approach of One-day Workshop, so I will be able to share my painting process with more people. If you are interested in the way I paint and happen to be that you have some time next Wednesday, then please consider to attend my one-day class. The webpage of this workshop is at: http://www.qh-art.com/zoom-workshop-one-day.html. I hope all the beginner painters can get the right techniques and elevate to at least the intermedium level as soon as possible.
This small house is a replica of Henry David Thoreau's house at the historical museum in Concord MA. I have read Thoreau's "Walden" and admired his wisdom. I wish more people understand him. The world could have been much better if more people have practiced his teaching. I used the same reference photo and painted this small house many times. On my 2nd Zoom workshop I painted this house again as a demo.
We have just lost I considered the BEST representational artist in the world: Richard Schmid. He was one of the kindest and generous teachers I have ever met. I am very fortunate of having chances of meeting the painters' Master in 2010. As a beginner artist at that time. I have admired Richard's remarkable paintings for a long time. However timid I was, but I decided to reach out and contacted the Putney Painters. I was so thrilled and I got the permission of visiting the Barn and watched Richard, Nancy, and many Putney master painters to paint. The photos here are my documentations of the several events I have participated. Richard was not only the BEST artist, but also the kindest human being. His humor, his wit, and his knowledge have left very profound impression in me. Inspired and educated by the Master, I will try my best to promote and share the knowledge and skills to bring more people involving into the most beautiful field we call ART.
Painting green is a challenge. I picked a photo that show all kinds of greens: the house with a green roof, The trees with fresh green leaves in the spring time, and the green grass in shadow and in light. I have spent two days on this small painting. It feels my handling of green colors has got more sensitive. All the efforts during the pandemic isolation have shown some effects. I am enchanted.
I plan to teach my 2nd Zoom workshop in April. This one will take two weeks, from April 19 (Monday) to April 30 (Friday). I will cover the same amount of information as my current March workshop in a more condensed way. If you are interested taking this workshop, please visit the webpage: http://www.qh-art.com/zoom-workshop-3_2021.html for detailed information and click the blue registration button to sign up. I have only 15 seats. Please take your action as quick as possible.
My "Color Relativity" course is on Udemy now. The video can be viewed online without the need of downloading the file to your computer. This is the 3rd class of my "Rigorous Color System for Artists". I have learned a lot by doing the research of color relativity. Human's color vision is so tricky. It varies all over the places when the viewing condition changes. I hope this course can help you to gain more control when you paint. Please visit: http://www.qh-art.com/online-teaching.html to access all versions of this course.
I painted a small study today. The purpose of this study is to investigate the chroma of the color green. Human eyes are very sensitive to green. In the real world, It is rare to have greens with high chroma. Most of the greens are rather close to gray, but our eyes often give us the fake news. We feel we see very pure green, and we tend to use high chroma green colors to paint trees, grass, and other green stuff. Now I have the "Painter's Guide App". I can measure the chroma if I paint from photos. In this painting, all the greens in light are rather dull. Actually, the chroma of the shadow colors are much higher. Is that weird?
I have finished this painting. What I have learned from this project was how to control the chroma of the color. Any color has 3 attributes: hue, chroma, and value. To make the hue and value correct is not very hard, but visualize chroma precisely is not easy. We might be able to estimate how dull or vibrant a color can be, but it is difficult to get it accurately. I had to use measurement and math to get it close to right. I took many photos of the painting during its development. The load the photos on the "painter's guide" app. I measure the chroma coordinates of colors in specific area, and then compare the reading on the corresponding area on the reference photo. The result was shocking to me that how inaccurate I got the chroma. Very often, I tend to make the chroma too high. Now I have gained more chroma control.
I also made a Youtube video of this painting. Please enjoy.